Course Description

The conventional story on war- and peacemaking almost always speaks of great deeds by Great Men. It tells how genius generals win wars and how skillful diplomats strike peace deals; how heroic soldiers fight and how selfless peacemakers unite; and, crucially, how wars end where peace begins and vice versa. Inspired by Tolstoy’s narrative of war as an assemblage of serendipity and chance, this course will look at war/peace beyond the lens of rationality and of strategic interests. Following Latour’s reading of Tolstoy, it will introduce a less anthropocentric and – hopefully - more pluralistic perspective by allowing other actors to make peace/war, such as UN reports and US drones, reconciliation workshops and surveillance techniques, etc. Building on Foucault’s inversion of Clausewitz, it will explore war as a general grid through which modern society can be analyzed even – and especially - during so-called peacetime.

Monday, March 17, 2014

Olivier Lallemant - Entry No. 6 (Gregory)

“From a View to a Kill: Drones and late modern War” is an article written by British geographer Derek Gregory. This text focuses on the using of drones and how it is perceived by Western populations and academics. He starts the article by saying that drones are usually considered to be a “clean” way of making war, and argues that most commentators claim that their use “reduces late modern war to a video game in which killing becomes casual”. Those considerations lead Gregory to analyze three main points about drones. Firstly, the relation the use of drones builds with the targets; secondly, how drones’ pilots are perceived and how they perceive their job themselves; thirdly, how drones recalibrated the notion of warfare.

Drones were created to eliminate specific targets with a “surgical precision”, limiting the number of military casualties and the material cost of war for the country which is using them. The main problem drones raise is the civilian casualties; this is the main reason why drones are so unpopular, even in the Western world. These civilian casualties are perceived as being far more numerous than eliminated targets; thus, drones are perceived as completely counterproductive. Gregory quotes Kilcullen and Exum, writing that violent extremists seem “less ominous than a faceless enemy that wages war from afar and often kills more civilians than militants” for the local population. Gregory uses the example of a disastrous operation which took place on 21 February 2010 in the village of Khud in Oruzgan province in central Afghanistan, which cost the life of 23 civilians and wounded a dozen of others. He writes that the “time-space compression of the kill-chain” is responsible of this kind of disasters. The actual distance between the shooter and the target is so unreal, that when the pilot pulls the trigger, the temporal precision is not accurate. This leads to think that the “surgical precision” is not a reality; the main problem is that with this kind of weapons, mistakes are always lethal for civilians. The fact that video recordings of shootings are often put online make Western populations realize the lethality of these weapons and how mistakes can cause human disasters that are even more terrible than Taliban’s bombings.

Those risks are taken in accountancy by pilots, although they are seen as considering their shootings to be a part of a “video game”. Even if there is the space-time compression between them and the target, Gregory shows that they are aware of the fact that their job is not a video game, that they are trained to kill people. But other questions are raised by pilots’ job. Actually, they are giving death, coming from the sky, which makes some of them feeling like gods (‘Sometimes I felt like a God hurling thunderbolts from afar’, one pilot admits). The pilot is the hunter that chases a target to kill it. This kind of omnipotence feeling is a serious psychological issue, because this new “visibility” brings up a new vision of death, as brought anytime from the infinite sky.  It totally changes the basic considerations of war and peace, and that is the next point that Gregory develops.

First of all, drones attacks are considered by some people to be a “virtuous war” (Der Derian), at least far more virtuous than regular wars, since they cause less casualties in military forces. I think that it is considered “virtuous” because it happens far away from Western countries, and we do not have so much information about the consequences of those attacks; hence we consider it “not so terrible”, since the media do not communicate much about civilian casualties. The second problem is the differentiation between drone attacks and warfare. Actually the United States are killing civilians in Pakistan without having declared war to this country. This kind of counterinsurgency is difficult to apprehend towards international Law. How can a country bomb another one without being at war with it? Is it a right towards only some countries or all of them? This is one of the main issues in Diplomacy currently; there is a hierarchy between countries. One cannot argue with another if it is above a certain level of economic, military, political power; but the others have nothing to say, unless they have a powerful ally. Finally, this leads to Gregory’s conclusion about this subject. The hierarchy between powerful and weak countries, added to the fact that two powerful countries cannot engage war one against another, or it would be the end of the world, led to a new kind of conflict that does not enter in the usual acceptation “war”. I agree with Derek Gregory when he uses Frédéric Gros’s theory. Gros wrote that drones mean the end of the “equality in the face of death” (“l’échange de morts” in French), which means that war is not made with armies and battles anymore. But I think that peace cannot be built by drones. They are a way of making war, but to make peace you have to send officers and negotiators. Actually, drones are only a way of disposing of people you want to disappear, but it has no long-term diplomatic value at all.


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